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Indexlocked

  • Published in print: 01 March 2018
  • Published online: 26 April 2018

A

  • Absinthe Drinker, The (Manet), 38
  • Adorno, Theodor, 104–5, 106–7, 109, 114
  • Alma-Tadema, Sir Lawrence, 28–30
  • Amsterdam, 97
  • Annals, The (Tacitus), 17
  • Antoninus Pius, 25
  • Apparition, The (Moreau), 51
  • Apuleius, Lucius, 31
  • À Rebours (Huysmans), 6, 27, 47–54, 66, 72, 112
  • art deco, 86, 87
  • art nouveau, 84, 86, 87
  • Asquith, Anthony, 110
  • Augustus, 1, 14, 34, 113
  • “Au Lecteur” (Baudelaire), 41–2
  • Aurelius, Marcus, 25
  • Auschwitz,104
  • Ausonius, Decimus Magnus, 2, 21, 32
  • Austro-Hungarian Empire, 7, 85
  • “Ave atque Vale” (Swinburne), 64

B

C

  • Cabaret (Fosse), 98
  • Caligula, 1, 12, 14, 15, 16, 23, 36
  • camp, 8, 69, 110
  • Capuana, Luigi, 68, 69
  • Catullus, Gaius Valerius, 64
  • Charcot, Jean-Martin, 102
  • “Chat, Le” (Baudelaire), 38
  • classicism, 13–14, 34–35, 44, 67–68
  • Claudius, 15, 20
  • Commodus, Lucius Aelius Aurelius, 23, 25, 26
  • Communist Party, 100
  • Confessions of a Young Man (Moore), 65–7
  • Considérations sur les causes de la grandeur des Romains et de leur décadence (Montesquieu), 22–24, 25, 30
  • Constantine, 2
  • Cooper, Edith (pseud. Michael Field), 69–70
  • Corneille, Pierre, 34
  • “Correspondances” (Baudelaire), 49
  • Couperus, Louis, 68, 69
  • Couture, Thomas, 35–37
  • Criminal Law Amendment Act of 1885, 73
  • cubism, 106

D

E

  • Elagabalus, 1, 25–29
  • Eliot, T. S., 107, 109
  • Entartung (Nordau), 100, 102–3
  • Epicurus, 23, 30
  • Études de moeurs et de critique sur les poètes latins de la décadence (Nisard), 35
  • expressionism, 106

F

G

H

I

  • Ibsen, Henrik, 68
  • Importance of Being Earnest, The (Wilde), 110
  • industrial revolution, 40
  • Isherwood, Christopher, 94, 97–100

J

  • Jackson, Holbrook, 77
  • Jack the Ripper, 57
  • Johnson, Lionel, 77
  • Josephus, Flavius, 51
  • July Monarchy, 36
  • Justinian, 24

K

L

M

N

O

P

R

S

  • Sainte-Beuve, Charles Augustin, 31, 32
  • Salammbô (Flaubert), 31–3
  • Salome (Moreau), 52
  • Salome (Wilde), 78, 79, 110
  • Salome Dancing before Herod (Moreau), 51
  • Salome’s Last Dance (Russell), 110–1
  • Satyricon, The (Petronius), 18–20
  • Savoy, The, 79
  • Schnitzler, Arthur, 83, 90–2
  • Schorske, Carl, 83
  • Second Empire, 4, 38, 82
  • “Sept Viellards, Les” (Baudelaire), 40–1
  • Sight and Song (Field), 69
  • Sitte, Camillo, 83,
  • Sontag, Susan, 8
  • Soumission (Houellebecq), 111–4
  • “Speech at the Opening of the Great German Art Exhibition” (Hitler), 102, 103
  • Spengler, Oswald, 92
  • Sternberg, Josef von, 96
  • Stones of Venice, The (Ruskin), 59–60
  • Studies in the History of the Renaissance (Pater), 60–63,
  • Suetonius, 14–17, 20, 21, 22, 35, 53, 95
  • Sullivan, Louis, 84
  • surrealism, 106
  • Swinburne, Algernon Charles, 63–5, 69
  • symbolism, 49, 50, 71, 72, 110
  • Symbolist Movement in Literature, The (Symons), 71
  • Symonds, John Addington, 14, 62, 63
  • Symons, Arthur, 62, 65, 67–9, 70–1, 72
  • synaesthesia, 49, 50

T

  • Tacitus, Cornelius, 14, 17–18, 21, 22
  • Tannhäuser (Wagner), 79
  • Technopaegnion (Ausonius), 21
  • Third Republic, 7, 38,
  • Togugawa shogunate, 105
  • Transvestitism, 25, 43, 56, 95, 97, 98

U

  • Under the Hill (Beardsley), 79–80

V

W

Z