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What did Egyptian art and architecture mean to the people who first made and used it—and why has it had such an enduring appeal? Ancient Egyptian Art and Architecture: A Very Short Introduction explores the visual arts produced in Egypt over a span of some 4,000 years. The stories behind these objects and buildings have much to tell us about how people in ancient Egypt lived their lives in relation to each other, the natural environment, and the world of the gods. Demonstrating how ancient Egypt has fascinated Western audiences over the centuries, this VSI considers the relationship between ancient Egypt and the modern world.Less

Art history encompasses the study of the history and development of painting, sculpture, and the other visual arts. Art History: A Very Short Introduction considers the issues, debates, and artefacts that make up art history. It explores the emergence of social histories of art and, using a wide range of images, it discusses key aspects of the discipline including how we write about, present, read, and look at art, and the impact this has on our understanding of art history. This second edition includes a new chapter on global art histories, considering how the traditional emphasis on periods and styles in art originated in Western art and can obscure other critical approaches and artwork from non-Western cultures.Less

The Avant Garde: A Very Short Introduction explores the concept of the ‘avant-garde’ and examines its wider context through the development of western modernity, capitalist culture, and the global impact of both. The avant-garde is perhaps the most important and influential concept in the history of modern culture. What is the relation between the ‘avant-garde’ and ‘avant-garde’ qualities in a work of art, design, architecture, or any other cultural product? What does avant-gardism mean? Now that contemporary art has broken all taboos and is at the centre of a billion-pound art market, is there still an ‘avant-garde’? If so, what is the point of it and who are the artists concerned?Less

Contemporary Art: A Very Short Introduction takes us inside the international art world to argue that behind contemporary art's variety and apparent unpredictability lies a grim uniformity. Its mysteries are all too easily explained, its depths much shallower than they seem. Contemporary art is supposed to be a realm of freedom where artists shock, break taboos, flout generally received ideas, and switch between confronting viewers with works of great emotional profundity and jaw-dropping triviality. But away from shock tactics in the gallery, there are many unanswered questions. Who is really running the art world? What effect has America's growing political and cultural dominance had on art?Less

Dada and Surrealism: A Very Short Introduction focuses on the many debates surrounding these movements: the Marquis de Sade's Surrealist deification, issues of quality, the idea of the ‘readymade’, attitudes towards the city, the impact of Freud, attitudes to women, and primitivism. Where does the Dadaist obsession with the body-as-mechanism come from? Why are the Surrealists obsessed with the fetishized/eroticized body? Dada and Surrealism continue to have a huge influence on cultural practice, especially in contemporary art, with its obsession with sexuality, fetishism, and shock tactics. A huge range of media is employed by both movements (collage, painting, found objects, performance art, photography, film), but there are aesthetic differences between them.Less

Modern Art: A Very Short Introduction examines many key aspects of this subject, including the issue of controversy in modern art, from Manet's Dejeuner sur L'Herbe (1863) to Picasso's Les Demoiselles, and Tracey Emin's Bed, (1999); and the role of the dealer. Public interest in modern art continues to grow, as witnessed by the spectacular success of Tate Modern and the Bilbao Guggenheim. What makes a work of art qualify as modern (or fail to)? How is this selection made? What is the relationship between modern and contemporary art? Is ‘postmodernist’ art no longer modern, or just no longer modernist? Why, and what does this claim mean, both for art and the idea of ‘the modern’?Less

Renaissance Art: A Very Short Introduction provides a broad cultural-historical context for some of the Renaissance's most famous artists and works of art, introducing both famous and lesser-known artists, patrons and works of art within the cultural and historical context of Renaissance Europe. Botticelli, Holbein, Leonardo, Dürer, and Michelangelo are familiar names, but who were these artists, why did they produce such memorable images, and how would their original beholders have viewed these objects? Was the Renaissance only about great masters and masterpieces, or were ‘mistresses’ also involved, such as women artists and patrons? And what about the ‘minor’-pieces that Renaissance men and women would have encountered in homes, churches and civic spaces?Less